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Ríos Cordero, Hugo

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  • PublicationOpen Access
    Camándulas
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2003) Ríos Cordero, Hugo; Ríos Cordero, Hugo; University of Puerto Rico at Mayagüez; Department of English
  • PublicationOpen Access
    La poética de los sentidos en los filmes de Lucrecia Martel
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2008) Ríos Cordero, Hugo; Rutgers University
  • PublicationOpen Access
    Un atardecer de vacunas
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2003) Ríos Cordero, Hugo; University of Puerto Rico at Mayagüez; Department of English
  • PublicationOpen Access
    Death and the maiden: The floating courtesan in Pakeezah
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2010) Ríos Cordero, Hugo; Rutgers University
  • PublicationRestricted
    Charting the route: From gothic to magic realism
    (2003) Ríos Cordero, Hugo; Ríos Cordero, Hugo; Batra, Nandita; College of Arts and Sciences - Arts; Leonard, Mary; Irizarry Rodríguez, José M.; Department of English; Orlandini, Roberta
    Gothic fiction is one of the most interesting and influential forms of literature. Its scope has reached many genres, periods and epochs, and it has engendered numerous offspring since its origin. One of its most famous progenies is Magic Realism. This study traces the history of Gothic conventions since their origins in eighteenth-century literature, through the modifications they underwent in the nineteenth century and the eventual transformation into the codes that correspond to Magic Realism. Chapter One recounts the origin of Gothic Literature based on the analysis of the conventions that define it as a genre. Chapters Two and Three trace the development of these Gothic conventions by studying some examples of the next generation of Gothic novels: Mary Shelley’s Frankenstein and Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. Chapter Four introduces a brief history of Magic Realism and explores the relationship of this mode with the Gothic. Finally, Chapter Five presents an analysis of Salman Rushdie’s Shame, a novel that illustrates the evolution of Gothic conventions and the way in which they became part of the accepted codes of Magic Realism.
  • PublicationOpen Access
    Praga de noche
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2012) Ríos Cordero, Hugo; Rutgers University
  • PublicationOpen Access
    Ciclo de Pordenone
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2012) Ríos Cordero, Hugo; Rutgers University
  • PublicationOpen Access
    Génesis
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2003) Ríos Cordero, Hugo; University of Puerto Rico at Mayagüez; Department of English
  • PublicationOpen Access
    Réquiem Erótico II
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2012) Ríos Cordero, Hugo; Rutgers University
  • PublicationOpen Access
    Camándulas; La mentira de calypso; Dualidad
    (Centro de Publicaciones Académicas, Facultad de Artes y Ciencias, Universidad de Puerto Rico en Mayagüez, 2007) Ríos Cordero, Hugo; Rutgers University