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dc.contributor.advisorFeliciano-Cruz, Katzmín
dc.contributor.authorSeda-Ferrer, Brenda I.
dc.description.abstractThis thesis examines divergences, motives and issues incorporated in current narrative styles that break away from the older femenine–figure–oriented work. This investigation was done with Gabriela Mora’s theory of literary criticism as it’s main reference, as presented in her essay “Narradoras hispanoamericanas: Vieja y nueva problemática en renovadas elaboraciones.” Mora’s theory was applied to three stories written by Olga Nolla and three other stories written by Miriam González‐Hernández. On the one hand, Nolla’s narrative is presented in a traditional way, showing the first steps in breaking down female roles imposed by a patriarchal culture. On the other, in González‐Hernández’s narrative, through language and different perspectives, these roles are subverted by incorporating new issues and problems related with changes in the feminine environment.en_US
dc.subjectOlga Nollaen_US
dc.subjectMiriam González‐Hernándezen_US
dc.subject.lcshFeminism in literature.en_US
dc.subject.lcshNolla, Olga--Criticism and interpretation.en_US
dc.subject.lcshGonzález Hernández, Miriam Mercedes,1954---Criticism and interpretation.en_US
dc.titleRuptura con el mito filosófico de la figura femenina en la cuentística de Olga Nolla y Miriam González-Hernándezen_US
dc.rights.licenseAll rights reserveden_US
dc.rights.holder(c) 2006 Brenda I. Seda Ferreren_US
dc.contributor.committeeGraniela Rodríguez, Magda
dc.contributor.committeeRivera Villegas, Carmen
dc.contributor.representativeRodríguez Guglielmoni, Linda M. Studiesen_US
dc.contributor.collegeCollege of Arts and Sciences - Arten_US
dc.contributor.departmentDepartment of Hispanic Studiesen_US

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    Items included under this collection are theses, dissertations, and project reports submitted as a requirement for completing a graduate degree at UPR-Mayagüez.

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